I can’t believe how slow i was with this one! Started at the beginning of April, i had some real time lapse moments–as in, i let it lapse in time to work on! Don’t know why i had such a block with it: Padded Cell took 7 months, and it was at least as much stitching as this one, give or take a hundred hours! *I sort of kept track at the beginning of how much time i was putting into the handwork, and gave up at around 142 hours–add another 76.675459 or so, and that means a lot of myopic moments!
So, nine months later, here it is, “A Birth of Silence”.
We are losing our habitats, our rivers, indeed much of our planet, to irresponsible stewardship, on global and personal levels. Without pollinators, our food supply and natural reserves will be devastated. I have chosen to represent these necessary life forces in “A Birth of Silence”. Bees hover around a butterfly egg, the honeycombs and pollen grains are suspended in space, perhaps to disappear forever. Without the key element of pollinators in the world, there will indeed be a colossal birth of silence, a death rather, of everything we need and desire in our world.
I am truly horrified by how even locally this mismanagement is so striking. I learned this past week that my beloved Inglewood Bird Sanctuary and the local “wildlife habitat” area are in jeopardy of becoming simply open spaces with no real natural benefit to the local ecosystem. Invasive plants, non-native plants, no water in the marsh areas, plowing over the area that was used as flood mitigation repair which opens it to more invasive and non beneficial plant life, plowing which also destroyed the natural land formations of small hills and barrows and all of the trees remaining after the flood, no long term plantings for birds and small mammal food supplies and nesting/shelter areas, removal of beaver populations, improper stewardship of new plantings, construction of touristy buildings and well meaning but spurious “art projects” gawdz, the list goes on and on……….I suspect some eco-activist action
may will be upcoming in my future.
Through the local fibre arts group Contextural, this will be part of an exhibition at the Alberta Craft Council Gallery in Edmonton, Alberta. X3 features 3 organizations on the cutting edge of fine craft: Alberta Potters’ Association, Contextural Fibre Arts Cooperative and the Nina Haggerty Centre.
This is the starting fabric, the base, created in my 2012 residency at ACAD. I had deliberately done large pieces, intending to use them as start points for future work. (Some of these are still sitting in the stoodio, waiting for inspiration.) You never know where these will lead you until the time is ripe. Through the last few years, my intent is faster than the implementation though, truly “Slow Cloth”! (Note though, “slow cloth” is NOT just about hand work–it’s about intent and commitment.) I know too that sometimes–for me at least–my ideas can’t come to fruition until i have the skill set to make them real, whether it be a particular technique, or a concept, or a deep seated NEED to do that specific work.
I flipped the fabric though so the orientation is this way (hence the upside down ©) :
After exploring this technique for the past two years, i am still thrilled by the dimension and texture created.
I don’t yet have a photo of the whole hanging properly (the top 6″ of this is folded over behind), but am hoping to amend that by seeing it at the exhibition on January 16th–i might just finally show for an artist reception ;) Measuring the final result with the draw-in and tension, the size is 36″ wide by 43″ height.
(I just realized, the conception, gestation and birth of this one was indeed 9 months……..)
*I don’t normally count the hours, but i was curious myself to see how much time does go into these works. It doesn’t make me any “better” than anyone else who puts time and serious effort into their art, but i had to laugh after seeing an article about a young man who puts THIRTYFIVE HOURS into each piece ;) HA! There are many of us who put in much more than that!