No guarantee i’ll get into both of these, but unless you try–and DO THE WORK–you can’t submit, can you? With the group i am in locally (Contextural Fibre Arts Co-operative), there are two possible shows coming up next year, one at the Alberta Craft Council in Edmonton, and one at the Leighton Art Centre, near Millarville, Alberta. The first one is why i have been having periodic binges of stitching with “A Birth of Silence” for a planned “Organic Matters” theme. Admittedly though, i’m not doing so great with enough of the binges though………..A January deadline means get off my ass–or rather, ON my ass since i can’t stitch standing ;)— and “giter done”!
The second one will take place during the summer of 2016, and has us riffing off work we saw by Barbara Leighton, one of the founders of the art centre. (I wrote about that here as two posts.) I’ve been formulating and discarding ideas since that visit, about what i want to do, to portray, and which skills i have to complete the mission, but it wasn’t until yesterday morning at the train station that the lightbulb went on. I’d been thinking about an entirely different, perhaps overly ambitious, project and the pages of my notebook fell open to my Leighton scribbles and sketches, and suddenly, there it all was. (I love it when one’s ideas begin mixing and leaning on each other, fermenting and ripening.)
I’ll be sharing some of those ideas and samplings soon. All may migrate to the blog i have set up for when this one is “full” (approaching very soon, as with that pesky storage issue that all blogs have..) One thing we have also been asked to do with the Leighton show is to have smaller pieces that are reflective of the main gallery work, for sale in the gallery shop. I might start with those as they are also a good way of developing the ideas and approaches! I can then decide too what scale the exhibit pieces can be worked, as i have a diptych or triptych in mind.
And news from a “actual” exhibit: this, from the main SDA blog http://www.surfacedesign.org/newsblog/materialities-exhibition-catalog-showcases-strength-scope-of-sda-members-work
Asked to summarize the experience of reviewing such a wealth of work, Wiggers observed that “Through a range of processes, such as dyeing, weaving, embroidery, quilting and tapestry, the selected works demonstrate how SDA members conjoin surface and structure using textile-based techniques; engage decorative, ornamental and pictorial traditions; examine and critique culture and traditions; and push textiles from material to ephemeral limits through individual and collaborative creative practice.”
There are gallery photos, and though i can’t clearly see mine, i suspect it’s the fifth one over in the first shot on the left in that blog post. Can’t wait to receive my copy of the exhibition catalogue. It’s funny too how as you work a thing, it seems rather large and intensive, and then it gets hung and all of a sudden it’s teeny—-still intensive, but teeny!!!!!!!!